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Cults and Anti-Cults, Deprogramming 23nlpeople.com | UDENT! Dental Member Profile > Luna Luna udent.com | Luna| Buy Luna Products on sale from imedmart.com imedmart.com | Luna Fitness of Tempe - 480-456-5767 | Luna Fitness - For Women, By Women lunafitnessoftempe.com |
Cult of Luna is a Swedish sludge/post-metal band from Umeå. They formed from the remnants of a Umeå hardcore punk band called Eclipse in 1998. They slowly garnered critical appreciation and underground popularity with early releases Cult of Luna (2001) and The Beyond (2003); however, it is 2004's Salvation that can be considered their 'breakthrough' release. By cutting down on the somewhat esoteric use of aggression so indicative of doom, it appealed to a new group of fans. Its calmer sound has earned it favourable reviews in the mainstream music press, a reputation built upon for the release of Somewhere Along the Highway in 2006, another largely well-received album. In August 2006, the band released a remake of "Marching to the Heartbeats" from Somewhere Along the Highway entitled "Heartbeats" solely on the internet community MySpace. The song was available for download for a few days and was later removed. The point was to see if the song would be kept alive by file sharing, and was also apparently a statement against the conservative music industry, says keyboardist Anders Teglund in an interview.[1] In 2008 the band released its fifth album, Eternal Kingdom. It was released in Europe on June 16, followed by its release in the United States on July 8. In 2009 they released a DVD including a live performance from 2008, an interview with the band, as well as all of the band's videos.[2] On October 18, 2009, the band announced that their next release would be Eviga riket, a hardback book/audiobook covering the story and themes from Eternal Kingdom. The book will be bilingual, both Swedish and English. The audiobook will contain new pieces and soundscapes written by the band. Eviga riket is set to be released early 2010.[3]
[edit] SoundCult of Luna's sound has progressed from early material being heavily doom metal influenced to one much less aggressive and more concerned with orchestration. Fans and critics have termed this sound post-metal. The band is considered to be at the forefront of the genre, along with contemporary proponents Neurosis and Isis. Their evolution parallels that of the band Jesu. Its songs are often long, slow, repetitive and crushing, heavy sections of distorted guitars often interspersed with orchestral interludes and extended, post-rock-esque forays. The group shuns conventional song structures, opting for a sound that evolves throughout a song, sometimes toward a climactic crescendo, instead of a verse-chorus-verse pattern. That style, incorporating sections of "light and dark" into their music, has led to comparisons with contemporaries such as Isis (with whom they have toured), Callisto and Pelican, as well as the significantly older Neurosis. Singer Klas Rydberg, however, has stated that decidedly Radiohead are an influence.[4] Lately the band as well as their contemporaries have been heavily influenced by Mogwai, particularly the use of guitar delay and melodic guitar playing.[citation needed] [edit] Themes
The most notable running motif in Cult of Luna's lyrics is a preoccupation with the dangers of globalisation and political propaganda. This ties to the fact that six of the eight band members are vegetarians.[citation needed] These concerns are not always addressed directly through the music; instead they are sometimes represented by vocal samples. For instance, on The Beyond, they use recordings of Noam Chomsky's "Propaganda and control of the public mind". On "Inside Fort Meade", from The Beyond, the only lyrics are a quote attributed to Benjamin Franklin: "If we surrender our liberty in the name of security we shall have neither". This is another hint at the somewhat anarchic sentiments of the band.[citation needed] Earlier material, specifically the self-titled debut Cult of Luna states its purpose in somewhat darker terms: "The Revelation Embodied" includes lyrics "A time lost to the sick crowd of a new demonic realm/Oceans of blood have drowned all humanity[...]A time when the curse is alive/The horsemen have arrived". Another vitriolic political statement is made on "Circle", in a reference to the Sabra and Shatila massacre, with lyrics reading "Sabra and Shatila rises and retaliates/An invitation that raises the dead/I have seen their fate". This reference displays anti-racist tendencies, to an almost militant extent.[citation needed] As the band progressed, the imagery they employed became less overt and less "doom metal". In some ways, the albums showed a shift from anger with modern society as in Cult of Luna, to disgust with the ruling parties in The Beyond and Salvation. The video for single "Leave Me Here" is concerned with propaganda and tacit governmental control over the individual. Similar concerns are addressed in contemporaries Isis' Panopticon, centered on the theme of Big Brother-like government surveillance. Early material made Christian references; to the devil, Faust[5] and the four horsemen of the apocalypse. Over the course of following albums, these seem to have disappeared, though Salvation does have overarching spiritual themes. Somewhere Along the Highway is slightly different from the previous releases in its thematic basis. It focuses on personal matters, specifically male loneliness,[6] instead of macroscopic concerns addressed in previous albums. [edit] Discography
They also released a demo before being signed to Earache, as well as a limited edition (1000 prints) two-track 7" just before the release of Somewhere Along the Highway. It features covers of "Bodies" by The Smashing Pumpkins and "Recluse" by Unbroken. They also featured on the iTunes only Earache Records digital album "Beasts of Earache", with a song titled "Ascending From Below". This song is available on the bands myspace. [edit] Videography
All videos are also included on the 2009 DVD Fire was Born [edit] Members
[edit] Previous members
Thomas Hedlund, Fredrik Kihlberg and Johannes Persson are also involved in Khoma. [edit] References
[edit] External links
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