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CrimethInc., also known as CWC ("CrimethInc. Ex-Workers Collective" or "CrimethInc Ex-Workers Ex-Collective"[2]), is a decentralized anarchist collective of autonomous cells.[3] CrimethInc. emerged in the mid-1990s[4] – initially as the hardcore zine Inside Front – and began operating as a collective in 1996.[5] It has since published widely-read articles and zines for the anarchist movement and distributed posters and books of its own publication.[6] CrimethInc. cells have published books, released records and organized national campaigns against globalization and representative democracy in favor of radical community organizing. Less public splinter groups have carried out direct action (including arson and hacktivism), hosted international conventions and other events, maintained local chapters, sparked riots and toured with multimedia performance art or hardcore anarcho-punk musical ensembles. The collective has received national media and academic attention, as well as criticism and praise from other anarchists for its activities and philosophy. CrimethInc. has an association with the North American anarcho-punk scene due to its relationship with artists in the genre and its publishing of Inside Front. It has since expanded into the contemporary anti-capitalist movement.
[edit] Activities
Activities by CrimethInc. cells have included publishing radical literature and music, while less-public splinter groups have carried out direct action, hosted international conventions and other events, maintained local chapters, sparked riots and toured with multimedia performance art and/or hardcore anarcho-punk musical ensembles.[7] In 2002, a cell in Olympia, Washington staged a five-day film festival with skill-sharing workshops and screenings.[8] Cells have also supported various large-scale campaigns with publicity work, including the "Unabomber for President" and the "Don't Just (Not) Vote" election campaigns as well as the protests against the Free Trade Area of the Americas of 2003 in Miami, Florida.[9][10] Individuals adopting the CrimethInc. nom de guerre have included convicted ELF arsonists,[11] as well as hacktivists who successfully attacked the websites of DARE, Republican National Committee and sites related to U.S. President George W. Bush's 2004 re-election campaign.[12][13] These activities have earned the collective irregular attention from the mainstream news media.[14] [edit] PublicationsFurther information: CrimethInc. publications and CrimethInc. discography The creation of propaganda has been described as the collectives' core function.[15] Among their best-known publications are the books Days of War, Nights of Love, "Expect Resistance", Evasion, Recipes for Disaster: An Anarchist Cookbook and the pamphlet Fighting For Our Lives (of which, to date, they claim to have printed 600,000 copies),[16] the hardcore punk/political zine Inside Front, and the music of /hardcore punk bands. Several websites are maintained by individual cells, including Crimethinc.com, a clearing house for CrimethInc. activities operated by the Far East Cell which hosts excerpts from previously published works as well as a blog. CrimethInc. is connected to publishing collectives/organizations with similar ideas, notably the Curious George Brigade which has written a number of publications including Anarchy in the Age of Dinosaurs. In 2005, they began publishing a half-gloss journal, Rolling Thunder, with the byline "An Anarchist Journal of Dangerous Living", which released its eighth issue in 2009. CrimethInc. texts have received wide coverage in the anarchist media and in academic publications,[17][18] and have been used as reading materials for university courses on anarchism.[19]
[edit] ConvergencesSince the Summer of 2002, CrimethInc. has hosted annual conventions, termed "convergences", open to anyone. Typically featuring the performances of traveling theatrical troupes, musicians, direct-action and mutual-aid workshops from individual participants, the few-days-long camping trips have attracted coverage in newspaper articles,[20] initiated multiple Reclaim the Streets actions, mobilized large Critical Mass events, and catalyzed many other activities.[21] The 2007 convergence in Athens, Ohio saw an impromptu street party which resulted in arrests on minor charges.[20] The Athens News characterized the convergence as "a sort of networking, resume-swapping opportunity for would-be radicals, free-thinkers, Levelers, Diggers, Neo-Luddites and other assorted malcontents."[22] It is typical of these gatherings to demand that all attendees have something to contribute to the momentum: whether it is bringing food or equipment to share, leading a discussion group, or providing materials with which to write to political prisoners. There has been a pattern of promoting convergences as festivals, reminiscent of barnstorming flying circuses and traveling sideshows.[21] Harper's journalist Matthew Power described the 2006 convergence in Winona, Minnesota as follows:
These convergences have been hosted by different groups within the collective each time, typically based on the initiative of local enthusiasts. Every year a different set of policy requests is released from locals in the field, typically encouraging a sober, consensus-based space in which no financial transactions are made. The one firm rule has been “No police informants,” a regulation which has been ignored by the FBI. Information gathered by FBI informants at CrimethInc. convergences (in 2004, 2005, and 2008) contributed to the convictions of Eric McDavid and his associates, as well as 2008 Republican National Convention protester Matthew DePalma.[23][24][25] [edit] Philosophy "Eclipse the past" inside front cover image from CrimethInc.'s Days of War, Nights of Love (2001). A philosophical theme of CrimethInc.'s writings is the rejection of the "exclusive, anti-subjective" nature of history, and the need to take active control of one's own life.
CrimethInc as a loose association represents a variety of political views; the CrimethInc. FAQ asserts that it has "no platform or ideology except that which could be generalized from the similarities between the beliefs and goals of the individuals who choose to be involved—and that is constantly in flux."[4] "CrimethInc." is an anonymous tag, a means of constructing dynamic networks of support and communication within the anarchist movement, and as such anyone can publish under the name or create a poster using the logo; each agent or group of agents operate autonomously.[27] As well as the traditional anarchist opposition to the state and capitalism, agents have, at times, advocated a straight edge lifestyle, the total supersession of gender roles,[18] violent insurrection against the state,[28] and the refusal of work.[29] CrimethInc. is influenced by the Situationist International,[30] and has been described by scholar Martin Puchner as "inheritors of the political avant-garde",[31] Situationist Ken Knabb has criticized CrimethInc. for presenting simplistic and in some cases false accounts of history in their manifesto Days of War, Nights of Love, and for mythologizing themselves as "a pole of international subversion".[32] For their part, the authors of the book criticized the "exclusive, anti-subjective" nature of history as "paralyzing", advocating in its place a non-superstitious myth.[33] The collective has expressed a strident anti-copyright stance and advocacy of the appropriation of texts and ideas of others, which has attracted criticism from academic philosopher George MacDonald Ross as an endorsement of plagiarism.[34] The active participants of CrimethInc. characterize it as a mindset and a way of life first and foremost, rather than as an organization per se.[4] Its main goal is to inspire people to take more active control of their own lives, becoming producers of culture and history instead of passive consumers.[35][36] Those who ascribe to the CrimethInc. philosophy advocate radical ways of living one's life to the end of eliminating the perceived inequities and tyrannies within society. Contributors to publications are generally not credited in respect of an anonymity asserted by participants to be one of the organization's primary values.[4] The name "CrimethInc." itself is a satirical self-criticism about the hypocrisy of revolutionary propaganda (and other "margin-walking between contradictions"[4]) and a direct reference to the concept of "thoughtcrime" developed in George Orwell's Nineteen Eighty-Four.[4] [edit] Reception amongst radicals "Usurp the future" inside back cover image from Days of War, Nights of Love featuring the anarchist symbolism of the black flag. Since its inception in the mid-1990s, CrimethInc.'s activities and in particular its philosophy have proved controversial among anarchists.[5] Anarchist anthropologist David Graeber and Andrej Grubacic lauded the collective in 2004 as "the greatest propagandists of contemporary American anarchism".[37] Upon the release of CrimethInc.'s third book, Expect Resistance (2007), Chuck Munson identified the group as "one of the more important anarchist projects happening in North America over the past decade", asserting that in its activities the collective had set the standard for "publishing, organizing, instigating, and activism".[38] The collective's perceived focus on the "terminal boredom of consumer culture" at the expense of the real world condition of the working class,[39] and fetishizing of "the narcissistic side of the 1960s" (Clamor)[6] has led others in the anarchist movement, such as Libcom.org, to decry the collective as "lifestylists".[40]
Red Emma's infoshop has claimed that regardless of the group's politics, "you have to give them credit for helping revitalizing two very vital traditions of radical writing: on the one hand, they've kicked out enough all-encompassing, no-holds-barred, just barely still prose polemical manifestos to make Guy Debord proud, on the other hand, they've also produced some stunning personal narratives of living free in the boxcars and margins of late capitalism."[42] [edit] Footnotes and references
[edit] External links
[edit] Cells
[edit] Other
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