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Cinema 16 was a New York city based film society founded by Amos Vogel. From 1947 until 1963, he and his wife Marcia ran the most successful and influential membership film society in North American history, at its height boasting 7000 members. Vogel was inspired by Maya Deren's independent exhibitions. Deren exhibited and presented lectures on her films across the United States, Cuba and Canada. In 1946, she booked the Provincetown Playhouse in Greenwich Village for a public exhibition. Deren titled the exhibition: Three Abandoned Films – a showing of Meshes of the Afternoon, At Land, and A Study in Choreography for the Camera. Deren took the word 'abandoned' to refer to Guillaume Apollinaire's observation that a work of art is never completed, just abandoned. Whilst the title was ironic, the exhibition was successful. The fare shown at Cinema 16 consisted mostly of the experimental film that began flourishing after World War II, as well as nonfiction films (not only documentaries, but educational films). In that, it differed even from the narrative-oriented art cinemas that appeared in the postwar years. Cinema 16 closed in 1963, after 17 years in operation, run by Amos Vogel and his wife Marcia. Cinema 16 was revived in 2008 by Greenpoint, Brooklyn-based photographer Molly Surno and performance center Starr Space. To date, there have been three Cinema 16 events, each of which has featured a number of short, silent films by a single director accompanied by a live score performed by a local band. The first revival event highlighted films by Polish filmmaker Ladislas Starevich. Another, held Aug. 21, 2008, included six pieces by Czech animator and director Jan Svankmajer (including "Down to the Cellar") scored by the band Hundred Eyes.
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