Charles Avison (pronounced /ˈeɪvɨsən/, baptized 16 February 1709, Newcastle upon Tyne – 9 May or 10 May 1770, Newcastle upon Tyne) was an English composer during the Baroque and Classical periods. He was a church organist at St John The Baptist Church^[1] in Newcastle and at St. Nicholas's Church (later Cathedral). He is best remembered for his 12 Concerti Grossi after Scarlatti and his Essay on Musical Expression, the first music criticism published in English.

Contents 1 Life 2 Influence 3 References 4 Sources 5 External links

[edit] Life

Little is known of Avison's early life. The son of Richard and Anne Avison, both musicians, he was baptised on 16 February 1709, at St. John's Church in Newcastle. (According to the New Grove dictionary, he was also born in this city.) It is likely that he had early contact with Ralph Jenison, a patron of the arts, and later a member of Parliament.

As a young man, he traveled to London to study under Geminiani. However, his ties to his hometown remained strong, and on 13 October 1735, he was accepted the position of church organist at St. John's Church in Newcastle. Shortly after, he also became organist at nearby St. Nicholas's. Despite numerous offers of more prestigious positions later in life, he never again left Newcastle.

On 15 January 1737, Avison married Catherine Reynolds. They had three surviving children: Jane (1744-1773), Edward (1747-1776), and Charles (1751-1795). Edward and Charles both later served as organists at St. Nicholas's, and Charles published a book of hymns.

In July 1738, Avison was appointed music director of the Newcastle Musical Society. He also collaborated with John Garth's subscription concerts in Durham, and was active in local theatres.

The foundation of Avison's contemporary fame was his Essay on Musical Expression, published in 1752. It was the first work on musical criticism published in English.

Avison was one of the subjects in Robert Browning's Parleyings with Certain People of Importance in their Day: "Hear Avison! He tenders evidence/That music in his day as much absorbed/Heart and soul then as Wagner's music now."

Avison died on 10 May 1770, after being caught out in an unusual blizzard that hit from May 2-4.^[2] He is buried at St. Andrew's in Newcastle.^[3]

[edit] Influence

Avison continued the Italian style tradition, which Geminiani had made so popular in London. In his Concerti Grossi, in particular, he carried on Geminiani's technique of modeling orchestral concertos after sonatas by older composers. His Essay on Musical Expression criticized Handel, who was much admired in England at the time.

Since 1994, the Avison Ensemble of Newcastle has been performing Avison’s music on period instruments.

[edit] References

1. ^ Church Website
2. ^ Historical weather events for the UK
3. ^ Church Website

[edit] Sources

• The Ingenious Mr. Avison: Making Music and Money in Eighteenth Century Newcastle, by Roz Southey, Margaret Maddison and David Hughes. Newcastle-upon-Tyne: Tyne Bridge Publishing, 2009. ISBN 1857951298; ISBN 978-1857951295.
• "Charles Avison - the forgotten master of the North"
• About Charles Avison (Avison Ensemble)

[edit] External links

• Avison Ensemble
• 18th Century English Music - short biography
• Discography
• http://www.naxos.com - brief Naxos biography and discography
• Charles Avison at the Newcastle Collection