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Catachresis (from Greek κατάχρησις, "abuse") is "misapplication of a word, especially in a mixed metaphor" according to the Penguin Dictionary of Literary Terms and Literary Theory. Another meaning is to use an existing word to denote something that has no name in the current language.[1]. Catachresis is a very common habit, and can have both positive and negative effects on language: On the one hand, it helps a language evolve and overcome poverty of expression; on the other, it can lead to miscommunications or make the language of one era incompatible with that of another.[original research?] Catachresis is more a linguistic phenomenon than a figure of speech. Compare malapropism and solecism, which are unintentional violations of the norms, while catachresis may be either deliberate or unintentional.
[edit] Forms and examplesCommon forms of catachresis are:
Catachresis is often used to convey extreme emotion or alienation. It is prominent in baroque literature and, more recently, in dadaist and surrealist literature. Example from Peri Bathous, Or the Art of Sinking in Poetry:
[edit] Derrida, SpivakIn Jacques Derrida's ideas of deconstruction, catachresis refers to the original incompleteness that is a part of all systems of meaning. Postcolonial theorist Gayatri Spivak applies this word to 'master words' that claim to represent a group - e.g., women or the proletariat - when there are no 'true' examples of 'woman' or 'proletarian'. In a similar way, words that are imposed upon a people and are deemed improper thus denote a catachresis, a word with an arbitrary connection to its meaning. [edit] See also
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