Boris Artzybasheff (25 May 1899 - 16 July 1965) was a Ukrainian-born illustrator active in the United States, notable for his strongly worked and often surreal designs.

Artzybasheff was born in Kharkov, son of the author Mikhail Artsybashev. He is said to have fought as a White Russian. During 1919 he arrived in New York City, where he worked in an engraving shop.

Detail of Time cover illustrated by Boris Artzybasheff depicting biologist and researcher Alfred Kinsey, August 24, 1953

His earliest work appeared in 1922 as illustrations for Verotchka's Tales and The Undertaker's Garland. A number of other book illustrations followed during the 1920s. Dhan Gopal Mukerji's Gay-Neck, with his illustrations, was awarded the Newbery Medal during 1928. Over the course of his career, he illustrated some 50 books, several of which he wrote, most notably As I See.

During his lifetime, however, Artzybasheff was probably known best for his magazine art. He illustrated the major American magazines Life, Fortune, and Time (including more than 200 Time Magazine covers over a 24-year span between 1941 and 1965^[1]). During World War II, he also served an expert advisor to the U.S. Department of State, Psychological Warfare Branch.

After 1940, he devoted himself to commercial art, including advertisements for Xerox, Shell Oil, Pan Am, Casco Power Tools, Alcoa Steamship lines, Parke-Davis, Avco Manufacturing, Scotch Tape, Wickwire Spencer Steele, Vultee Aircraft, World Airways, and Parker Pens.

His graphic style is striking. In commercial work he explored grotesque experiments in anthropomorphism, where toiling machines displayed distinctly human attributes. Conversely, one of his works shows Buckminster Fuller's head in the form of Fuller's geodesic structure. In his personal work, he explored the depiction of vivid and extreme ranges of human psychology and emotion.

His papers are collected at Syracuse University.

[edit] Selected illustrations

• 1922 Verotchka's Tales
• 1922 The Undertaker's Garland, by John Peale Bishop
• 1924 Feats on the Fiord
• 1927 The Wonder Smith and His Son
• 1934 Mizra, Son of the Sword
• 1935 All Things Are Possible, dust jacket
• 1935 The Circus of Dr. Lao, by Charles G. Finney
• 1940 Nansen
• 1949 The Little Sister, by Raymond Chandler, dust jacket

[edit] Further reading

• Iacono, Domenic J. (November 1993). "The Art of Boris Artzybasheff". Scientific American 269 (5): 46–51. 

[edit] References

[edit] External links

• Online exhibit at the William F. Eisner Museum of Advertising & Design
• Jim Vadeboncoeur's biography of Boris Artzybasheff
• Boris Artzybasheff posters, hosted by the University of North Texas Libraries Digital Collections
• Boris Artzybasheff's out of print book, "As I See", republished by Ken Steacy Publishing Ken Steacy
• Exhibition at the ASIFA Hollywood Animation Archive
• Boris Artzybasheff (1899 - 1965), at American Art Archives
• Gallery of classic graphic design featuring the illustrations of Boris Artzybasheff.
• Artwork examples
• http://www.berkeleycitycollege.edu/students/tzimmer/index.html [fan site]