Bomba
Stylistic origins	Afro-Puerto Rican rhythms
Cultural origins	Puerto Rico
Typical instruments	Barriles de bomba: buleador and subidor, cua, maraca, vocals
Mainstream popularity	Puerto Rico, Puerto Rican Diaspora
Other topics
Music of Puerto Rico

Bomba is one of the folk musical styles of Puerto Rico. Although there is some controversy surrounding its origin, most agree that it is a largely African-derived music. The rhythm and beat are played by a set of hand drums and a maraca. Dance is an integral part of the music: the dancers move their bodies to every beat of the drum, making bomba a very wild and rich dance. Bomba is described to be a challenge between the drummer and the dancer. The dancer produces a series of gestures to which the primo drummer provides a synchronized beat. Thus, it is the drummer who attempts to follow the dancer and not the other way around. The dancer must be in great physical shape and the challenge usually continues until either the dancer or drummer discontinues. The main instruments used in bomba style music are any number of low pitched hand drums used to create a base rhythm, and a higher pitch drum which accentuates the beat with improvised patterns. Other instruments used are the palitos or cuas, which are sticks that are struck against any, usually wooden, surface. A single large maraca usually completes the sound of bomba, though a güiro has commonly been used in orchestral arrangements. Both of these last two instruments have origins in the Taino culture of the Caribbean Basin.

Contents 1 History 2 Instruments 3 Rhythmic Styles 4 Performers 5 Further reading 6 External links

[edit] History

The basic music style was brought to Puerto Rico during the colonial slave trade. It originates in Kongo, although the majority of slaves can be traced back to many different areas of West and Central Africa. The dance was mostly practiced at the northern, southern and western coasts of the island where the majority of Africa's descendants lived. It is said by most bomba practitioners around the island that the town of Mayagüez is considered the birth place of bomba in Puerto Rico. The men use a series of hip and hand movements. The women use similar movements, however the movements are often augmented by the use of their skirts. In bomba shows, the typical apparel worn by the dancers is what slaves may have used in social gatherings. Men wear a white outfit and Panama hat and women wear big plantation skirts and a head scarf or bundaloo.

[edit] Instruments

The traditional drums used in bomba are called barriles, since they have long been built from the wood of barrels. The high pitch drum is called "subidor" or "primo", and the low pitch drums are called "buleador" and "segundo".

[edit] Rhythmic Styles

There are several styles of bomba, and the popularity of these styles varies by region. The four most common rhythms are called "sica", "yuba", "cuembé", and "holandes", though there are more than 20.

duple metre

• bambulaé
• bele
• calindá
• cocobalé
• cuembe or güembe
• cunyá
• danuá or danué
• gracima
• holandé or holandés
• hoyoemula
• paulé
• seis corrido or seis corridor
• sicá

triple metre

• corve
• holandé seis por ocho
• leró
• mariandá
• rule
• yubá

[edit] Performers

So far, Rafael Cortijo has been the only artist successful in taking bomba to the mainstream with his Combo in the 1950s and 1960's. Ricky Martin mixes a bit of authentic bomba rhythm with other Latino influences in his aptly-named song La Bomba.

[edit] Further reading

• Aparicio, Frances R., "Listening to salsa: gender, Latin popular music, and Puerto Rican cultures", Wesleyan University Press, 1998. ISBN 978-0-8195-6308-8. Cf. p.12 and book index.

[edit] External links

• Welcome to Puerto Rico: Music - see Bomba y Plena
• http://www.youtube.com/watch?v=6QS-PXr-_5g