Birmingham Royal Ballet (BRB) is a British ballet company and one of the three leading classical ballet companies in the United Kingdom. It was originally formed as the sister company of today's Royal Ballet when it moved to become the resident ballet company at the Royal Opera House in Covent Garden, London. The Sadler's Wells Theatre Ballet was established to continue performances at Sadler's Wells theatre, later becoming Sadler's Wells Royal Ballet and then Birmingham Royal Ballet. The company relocated to Birmingham in 1990, becoming the resident ballet company at the Birmingham Hippodrome theatre. It is now independent of the Royal Ballet in London, although it retains strong links with the company and the Royal Ballet School. As a resident company, Birmingham Royal Ballet has extensive custom-built facilities, including a suite of dance studios, the Jerwood Centre for the Prevention and Treatment of Dance Injuries and a studio theatre known as the Patrick Centre. In 2002, the need for Birmingham Royal Ballet to have its own school led to a new association with Elmhurst School for Dance, which is now its official ballet school.
[edit] History
In 1926, the Irish-born dancer Ninette de Valois founded the Academy of Choreographic Art, a dance school for girls. Her intention was to form a repertory ballet company and school, leading her to collaborate with the English theatrical producer and theatre owner Lilian Baylis. Baylis owned the Old Vic and Sadler's Wells theatres and in 1925 she engaged de Valois to stage dance performances at both venues.
Sadler's Wells reopened in 1931 and the Vic-Wells Ballet and Vic-Wells Ballet School were established in premises at the theatre. These would become the predecessors of today's Royal Ballet, Birmingham Royal Ballet and Royal Ballet School.
In in 1939, the company lost its link with the Old Vic theatre and, in 1940, Sadler's Wells theatre was bombed during World War II. These events forced the company to begin touring the country, becoming known as the Sadler's Wells Ballet. The company did return to Sadler's Wells theatre, where it stayed until 1946, when the company was invited to become the resident ballet company of the newly re-opened Royal Opera House in Covent Garden. The company relocated to the opera house the same year in 1946, with their first production at the venue being Ninette de Valois' staging of The Sleeping Beauty.
Following the relocation of the company the school was relocated to its own premises in 1947 and a sister company was established to continue performances at Sadler's Wells, called Sadler's Wells Theatre Ballet. This sister company would become the predecessor of today's Birmingham Royal Ballet. The first Artistic Director of the Sadler's Wells Theatre Ballet was John Field, who was later made co-director of the Royal Ballet and also worked as artistic director of La Scala Theatre Ballet and English National Ballet.
In 1955, Sadler's Wells Theatre Ballet temporarily lost its link with Sadler's Wells theatre and relocated to the Royal Opera House as a touring unit of the main company.
In 1956, a Royal Charter was granted for both companies and the school and they were subsequently renamed the Royal Ballet, Sadler's Wells Royal Ballet and the Royal Ballet School.
The Sadler's Wells Royal Ballet returned to Sadler's Wells theatre in 1970, whilst continuing to tour the country. The first indication that the company would leave London came in 1987, when the company was invited to become the resident ballet company at the Birmingham Hippodrome theatre. Consequently, the company relocated to Birmingham in 1990, being given its current name Birmingham Royal Ballet.
In 1997, Birmingham Royal Ballet was made independent of the Royal Ballet and ceased to be managed by the Royal Opera House. Sir Peter Wright remained as the company's Artistic Director and held the post until his retirement in 1995, when the current Artistic Director, David Bintley was appointed.
As an independent ballet company, Birmingham Royal Ballet no longer has official links with the Royal Ballet or Royal Ballet School. To further establish its reputation as a separate entity, in 2002, it began a new relationship with the Elmhurst School for Dance, which is now its official associate school. Elmhurst is the oldest established vocational dance school in the United Kingdom, and was previously based in Camberley, Surrey. It relocated to premises in Edgbaston, Birmingham in 2004, becoming known as Elmhurst School for Dance, in association with Birmingham Royal Ballet.
[edit] Works performed
| Table of works performed by Birmingham Royal Ballet |
| Title | Running Time (mins) | Choreographer | Composer |
| Agon | 28 | George Balanchine | Igor Stravinsky |
| All For A Kiss | 5 | Aonghus Hoole | Igor Stravinsky |
| Apollo | 30 | George Balanchine | Igor Stravinsky |
| Arthur pt I | 60,45 | David Bintley | John McCabe |
| Arthur pt II | 58,65 | David Bintley | John McCabe |
| Avec Moi Ce Soir | | Glyn Scott | Igor Stravinsky |
| Le Baiser de la fée | 45 | Michael Corder | Igor Stravinsky |
| Beauty and the Beast | 50,50 | David Bintley | Glenn Buhr |
| Bright Young Things | 30 | Oliver Hindle | George Gershwin |
| Brouillards | 37 | John Cranko | Claude Debussy |
| Card Game | 24 | John Cranko | Igor Stravinsky |
| Carmina Burana | 67 | David Bintley | Carl Orff |
| Carnival of the Animals | 25 | David Justin, Toby Norman-Wright, Jonathan Payn, Nicole Tongue | Camille Saint-Saëns |
| Checkmate | 46 | Ninette de Valois | Arthur Bliss |
| Choros | 30 | David Bintley | Aubrey Meyer |
| Concert Fantasy | 30 | David Bintley | Pyotr Ilyich Tchaikovsky |
| Concerto | 24 | Kenneth MacMillan | Dmitri Shostakovich |
| Concerto Barocco | 20 | George Balanchine | Johann Sebastian Bach |
| Coppélia | 35,28,38 | Peter Wright after Marius Petipa & Enrico Cecchetti | Léo Delibes |
| Cyrano | 53,33,41 | David Bintley | Carl Davis |
| The Dance House | 26 | David Bintley | Dmitri Shostakovich |
| Danses Concertantes | | Kit Holder, Glyn Scott, Aonghus Hoole, Kosuke Yamamoto | Igor Stravinsky |
| Dante Sonata | 17 | Frederick Ashton | Franz Liszt arr Constant Lambert |
| Daphnis et Chloé | 55 | Frederick Ashton | Maurice Ravel |
| The Dream | 54 | Frederick Ashton | Felix Mendelssohn |
| Dumbarton Oaks | 15 | Michael Kopinski | Igor Stravinsky |
| Duo Concertant | 17 | George Balanchine | Igor Stravinsky |
| Ebony Concerto | | Samara Downs | Igor Stravinsky |
| Edward II | 60,55 | David Bintley | John McCabe |
| Elite Syncopations | 38 | Kenneth MacMillan | Scott Joplin et al. |
| The End of Winter | | Kosuke Yamamoto | Igor Stravinsky |
| Enigma Variations | 34 | Frederick Ashton | Edward Elgar |
| Façade | 20 | Frederick Ashton | William Walton |
| Fancy Free | 31 | Jerome Robbins | Leonard Bernstein |
| Far from the Madding Crowd | 50,40,40 | David Bintley | Paul Reade |
| La Fille Mal Gardée | 28,34,38 | Frederick Ashton | Ferdinand Hérold |
| The Firebird | 47 | Mikhail Fokine | Igor Stravinsky |
| Five Brahms Waltzes in the Manner of Isadora Duncan | 8 | Frederick Ashton | Johannes Brahms |
| Five Tangos | 27 | Hans van Manen | Astor Piazzolla |
| Four Seasons | 45 | Oliver Hindle, Shimon Kalichman, Mikaela Polley, Samira Saidi, Asier Uriagereka, Richard Whistler, Yuri Zhukov | Antonio Vivaldi |
| The Four Seasons | 46 | Oliver Hindle | Antonio Vivaldi |
| The Four Temperaments | 32 | George Balanchine | Paul Hindemith |
| Giselle | 55,46 | Marius Petipa after Jean Coralli & Jules Perrot | Adolphe Adam |
| Grosse Fuge | 27 | Hans van Manen | Ludwig van Beethoven |
| Hobson's Choice | 34,28,42 | David Bintley | Paul Reade |
| In the Upper Room | 40 | Twyla Tharp | Philip Glass |
| Into the Ferment | 25 | Jonathan Payn | James MacMillan |
| Krishna | 35 | Nahid Siddiqui | Hariprasad Chaurasia |
| The Lady and the Fool | 48 | John Cranko | Giuseppe Verdi arr Charles Mackerras |
| Much A-Dance About Nothing | | Jenny Murphy | Igor Stravinsky |
| Nine Sinatra Songs | 33 | Twyla Tharp | |
| The Nutcracker | 50,50 | Peter Wright, Lev Ivanov, Vincent Redmon | Pyotr Ilyich Tchaikovsky |
| The Nutcracker Sweeties | 35 | David Bintley | Duke Ellington & Billy Strayhorn (after Pyotr Ilyich Tchaikovsky) |
| Orpheus | 30 | George Balanchine | Igor Stravinsky |
| The Orpheus Suite | 45 | David Bintley | Colin Towns |
| Paquita | 28 | Marius Petipa | Ludwig Minkus |
| Les Petits Riens | 25 | David Bintley | Wolfgang Amadeus Mozart |
| Petrushka | 38 | Michel Fokine | Igor Stravinsky |
| Pictures at an Exhibition | 35 | Shimon Kalichman, Toby Norman-Wright, Annette Pain, Jonathan Payn, Mikaela Polley, Samira Saidi, Nicole Tongue, Richard Whistler, Asier Uriagereka, Yuri Zhukov | Modest Mussorgsky arr Maurice Ravel |
| Pineapple Poll | 41 | John Cranko | Arthur Sullivan arr Charles Mackerras |
| The Planets | 53 | Rosie Kay, David Bintley, Samara Downs, Lei Zhao, Michael Kopinski, Kit Holder, Jenny Murphy | Gustav Holst |
| Powder | 33 | Stanton Welch | Wolfgang Amadeus Mozart |
| Prodigal Son | 36 | George Balanchine | Sergey Prokofiev |
| The Prospect Before Us | 38 | Ninette de Valois | William Boyce arr Constant Lambert |
| The Protecting Veil | 43 | David Bintley | John Tavener |
| Pulcinella | 40 | Kim Brandstrup | Igor Stravinsky |
| Raymonda Act III | 34 | Rudolf Nureyev | Alexander Glazunov |
| The Rite of Spring | 35 | Millicent Hodson after Vaslav Nijinsky | Igor Stravinsky |
| Romeo and Juliet | 60,34,40 | Kenneth MacMillan | Sergey Prokofiev |
| Sanctum | 26 | Lila York | Maurice Ravel & Christopher Rouse |
| Scènes de Ballet | 22 | Frederick Ashton | Igor Stravinsky |
| The Seasons | 32 | David Bintley | Giuseppe Verdi |
| Serenade | 34 | George Balanchine | Pyotr Ilyich Tchaikovsky |
| The Shakespeare Suite | 38 | David Bintley | Duke Ellington & Billy Strayhorn |
| Slaughter on Tenth Avenue | 25 | George Balanchine | Richard Rodgers |
| The Sleeping Beauty | 34,30,32,39 | Marius Petipa, Peter Wright | Pyotr Ilyich Tchaikovsky |
| Small Worlds | | Kit Holder | Igor Stravinsky |
| Solitaire | 27 | Kenneth MacMillan | Malcolm Arnold |
| Song of the Earth | 63 | Kenneth MacMillan | Gustav Mahler |
| The Sons of Horus | 30 | David Bintley | Peter McGowan |
| 'Still Life' at the Penguin Cafe | 42 | David Bintley | Simon Jeffes |
| Stravinsky Violin Concerto | 20 | George Balanchine | Igor Stravinsky |
| Swan Lake | 32,32,44,20 | Marius Petipa, Lev Ivanov & Peter Wright | Pyotr Ilyich Tchaikovsky |
| Symphonic Variations | 21 | Frederick Ashton | César Franck |
| Symphony in Three Movements | 24 | George Balanchine | Igor Stravinsky |
| Take Five | 25 | David Bintley | The Dave Brubeck Quartet transcribed by Colin Towns |
| Tombeaux | 25 | David Bintley | William Walton |
| Tweedledum and Tweedledee | 5 | Frederick Ashton | Percy Grainger |
| The Two Pigeons | 27,33 | Frederick Ashton | André Messager |
| Unravelled | | Nathanael Skelton | Igor Stravinsky |
| Voice of Spring | 4 | Frederick Ashton | Johann Strauss II |
| The Walk To The Paradise Garden | 9 | Frederick Ashton | Frederick Delius |
| Western Symphony | 30 | George Balanchine | trad American melodies arr by Hershey Kay |
[edit] Dancers
[edit] Principals
[edit] Guest Artists
[edit] First Soloists
- Joseph Caley
- Alexander Campbell
| - James Grundy
- Victoria Marr
| - Jonathan Payn
- Jenna Roberts
| - Andrea Tredinnick
- Kosuke Yamamoto
- Lei Zhao
|
[edit] Soloists
| | | | - Angela Paul
- Tyrone Singleton
|
[edit] First Artists
- Arancha Baselga
- Jonathan Caguioa
- Samara Downs
| - Céline Gittens
- Robert Gravenor
- Kit Holder
| - Rory Mackay
- Steven Monteith
- Valentin Olovyannikov
| - Laura Purkiss
- Aaron Robison
- Tom Rogers
- Viktoria Walton
|
[edit] Artists
- Sonia Aguilar
- Yasuo Atsuji
- James Barton
- Dusty Button
- Feargus Campbell
| - Laura Davenport
- Mathias Dingman
- Laura-Jane Gibson
- Jade Heusen
- Aonghus Hoole
| - Yvette Knight
- Delia Mathews
- Kristen McGarrity
- Nicki Moffatt
- Callie Roberts
- Christopher Rodgers-Wilson
| - Nathanael Skelton
- Richard Smith
- Benjamin Soerel
- Anniek Soobroy
- Oliver Till
- Yijing Zhang
|
[edit] See also
[edit] External links
| Dance Companies in the United Kingdom | | | Ballet | | | | Contemporary | | | | Other | | |
