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Biopunk (a portmanteau word combining "biotechnology" and "punk") is a term used to describe:
[edit] BiohackerBiopunk is a synonym for biohacker, a term used to describe a hobbyist who experiments with DNA and other aspects of genetics.[1][2] A biohacker is similar to a computer hacker who creates and modifies computer software or computer hardware as a hobby (i.e. "wetware hacker"), but should not be confused with a bioterrorist whose sole intent is the deliberate release of viruses, bacteria, or other germs used to cause illness or death in people, animals, or plants (in the same way a computer hacker should not be confused with the more popular yet erroneous use of the term, describing someone who spreads computer viruses or breaks into computers systems for malicious purposes.).[6] Using a laptop computer, published gene sequence information, and mail-order synthetic DNA, some promoters and critics of biohacking argue that just about anyone has the potential to construct genes or entire genomes from scratch, although this is not known to have occurred as of January 2007.[7] [edit] MovementThe biopunk movement is a small intellectual and cultural movement, which encompasses a growing number of scientists, artists and cultural critics who are organizing to create public awareness of how genomic information, produced by bioinformatics, gets used and misused. On the basis of a presumed parallel between genetic and computational code, science journalist Annalee Newitz has called for open-sourcing of genomic databases.[3][4] Biological Innovation for Open Society is an example of an open-source initiative in biotechnology aiming to apply open license for biological innovation.[8] Self-described "transgenic artist" Eduardo Kac uses biotechnology and genetics to create provocative works that concomitantly revel in scientific techniques and critique them. In what is probably his most famous work, Alba, Kac collaborated with a French laboratory to procure a green-fluorescent rabbit; a rabbit implanted with a green fluorescent protein gene from a type of jellyfish in order for the rabbit to fluoresce green under ultraviolet light.[3] The members of the Critical Art Ensemble have written books and staged multimedia performance interventions around this issue, including The Flesh Machine (focusing on in vitro fertilisation, surveillance of the body, and liberal eugenics) and Cult of the New Eve (analyzing the pseudoreligious discourse around new reproductive technologies).[9] Georgia Tech professor Eugene Thacker leads the Biotech Hobbyist collective, and has written extensively on the field.[10] [edit] Science fiction genreMain article: Cyberpunk derivatives  Biopunk science fiction is a subgenre of cyberpunk fiction that portrays the underground side of the "biotech revolution" which, in the 1990s and 2000s, was expected to start having a profound impact on humanity in the first half of the 21st century. Biopunk stories explore the struggles of individuals or groups, often the product of human experimentation, against a backdrop of totalitarian governments or megacorporations which misuse biotechnologies as means of social control or profiteering. Unlike cyberpunk, it builds not on information technology but on synthetic biology. Like in postcyberpunk fiction, individuals are usually modified and enhanced not with cyberware, but by genetic manipulation.[5] A common feature of biopunk stories is the “black clinic”, which is a lab, clinic or hospital that performs illegal, unregulated or ethically-dubious biomod and gengineering procedures.[11] One of the prominent writers in this field is Paul Di Filippo, though he called his collection of such stories ribofunk, with the first element being taken from the term ribosome.[12] [edit] Books
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