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Billy Jack is the second, and highest grossing, in a series of motion pictures centering on a fictional character of the same name, played by Tom Laughlin who also directed and co-wrote the script. Filming began in Prescott, Arizona, in fall 1969, but the movie was not completed until 1971. American International Pictures pulled out of the production, halting filming. Twentieth Century Fox came in and filming eventually resumed, but when that studio refused to distribute the film, Warner Bros. took over. The film lacked distribution, so Laughlin took it to theatres himself in 1971. The film died at the box office in its initial run but took in more than $40 million in its 1973 re-release, which was supervised by Laughlin.
[edit] PlotBilly Jack is a "half-breed" American Cherokee Indian Green Beret Vietnam War veteran, hapkido master, and gunslinger. The character made his début in The Born Losers (1967), a so-called "biker film" about a motorcycle gang terrorizing a California town; Billy Jack rises to the occasion to defeat the gang by defending from their wrath a college student who has evidence against them for gang rapes. The first film was considered the typical drive-in theatre fare of the period, described by Entertainment Insiders reviewer Rusty White as "pure exploitation, but with something extra."[1] This changes with the second film, Billy Jack, in which the hero must defend the hippie-themed Freedom School (a thinly veiled reference to Prescott College) and its students from townspeople who do not understand or like the counterculture students. The school is organized by Jean Roberts, played by Laughlin's wife, Delores Taylor, who also appears in each subsequent film. Their 11-year-old daughter, Teresa, plays one of the students and sings two self-written songs. Susan Foster and several other supporting players from The Born Losers also appear in different roles. Many cast members, particularly the students, were non-actors who improvised most of their dialogue. The San Francisco-based improvisational comedy troupe The Committee, including Howard Hesseman, also posed as students and performed some of their satirical skits. Although marketed as an action film, the story focuses on the plight of Native Americans during the civil rights movement. It attained a cult following among younger audiences due to its youth-oriented, anti-authority message combined with the then-novel martial arts fight scenes which predate the Bruce Lee/kung fu movie trend that soon followed. The centerpiece of the film features Billy Jack, enraged over the mistreatment of his Indian friends, fighting a gang of racist thugs using his hapkido karate-kicking technique. Billy Jack helped raise the level of awareness regarding the discrimination against Native Americans at that time. This is exemplified in a key scene where some Indian children from the school go into town for ice cream and are refused service and then abused and humiliated by Bernard Posner and his gang. This prompts a violent outburst by Billy in an elaborately staged fight sequence in which a professional hapkido expert substituted for Laughlin in the key "facekicking" scene (Laughlin, though an accomplished football player, was never a martial artist). Later, Billy's girlfriend Jean is raped and one of the Indian students is murdered by Bernard (David Roya), the corrupt son of the county's most successful (and ruthless) businessman (Bert Freed). Billy confronts Bernard and sustains a gunshot wound before killing him with a karate strike to the throat. After a climactic shootout with the police, and much pleading from Jean, he surrenders to the authorities and is arrested. (In the original script, Billy is killed by a police sniper.) As he is being driven away, a large crowd of supporters raise their fists into the air as a show of defiance and support. (The plot continues in the sequel, The Trial of Billy Jack.) [edit] Box-office and critical receptionThis went on to become one of the highest grossing films of its time[citation needed], and remains among the top 100 when the list is adjusted for inflation. In his Movie and Video Guide, film critic Leonard Maltin writes: "Seen today, its politics are highly questionable, and its 'message' of peace looks ridiculous, considering the amount of violence in the film." [edit] InfluenceBilly Jack's wardrobe (black T-shirt, blue denim jacket, blue jeans, and a black hat with a beadwork band) would become nearly as iconic as the character. The film's theme song, "One Tin Soldier" by Coven, became a Top 40 hit in 1971, and featured the chorus: Go ahead and hate your neighbor; go ahead and cheat a friend. [edit] Films in the series
Billy Jack was the first movie to be marketed with the "BlockBuster" technique:[citation needed] to release a movie at a great many theatres on the same day in the same market. Before Billy Jack, movies would test the market at a few theatres and blossom to more if the reaction proved positive. Blockbusters would get a much stronger reaction and result in a more popular acceptance. This marketing got Billy Jack its top grossing credit. Today, virtually all major releases open in thousands of theatres at the same time. Laughlin plans to make a fifth film, Billy Jack for President, which was supposed to be released in 2007[2] or 2008[3] but was not finished. [edit] Billy Jack in popular culture
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