Aquemini is the third studio album by hip hop duo OutKast, released September 29, 1998 on LaFace Records.[11] The title is a portmanteau of the two performers' Zodiac signs: Aquarius (Big Boi) and Gemini (André 3000).[12] The album was certified platinum in November 1998, only two months after its release, and was certified double platinum on July 2, 1999 by the Recording Industry Association of America.[13] Aquemini peaked at #2 on both the Billboard 200 and the Top R&B/Hip-Hop charts.[14] Four of the album's tracks had already or would later become singles.[15] It was ranked as number 500 in the book version of Rolling Stone's 500 Greatest Albums of All Time. [edit] Content A vaguely futuristic, synthesizer-drenched album punctuated with anthemic choruses and bluesy beats, Aquemini tackles many topics such as emancipation, drug addiction and problematic relationships, while exploring the bleakest aspects of humanity. In contrast to much of hip hop music in the late 1990s, OutKast did not tone down the regional qualities, like the harmonica break on "Rosa Parks" and distinctive Atlanta slang and diction throughout. "Rosa Parks" was later nominated for the 1999 Grammy Award for Best Rap Performance by a Duo or Group.[16] The song led to much controversy with Rosa Parks filing a defamation suit against OutKast.[17] Aquemini also featured live instrumentation and poetic lyricism, such as the reggae horns on the seven-minute long "SpottieOttieDopaliscious" and wah-wah guitar on the closing track "Chonkyfire". The album also included West Savannah, which was an outtake from Outkast's debut album Southernplayalisticadillacmuzik. The track was also featured as an intro to the "Benz Or Beamer" video, but was held off Southernplayalisticadillacmuzik and not used on the duo's follow-up album ATLiens, finally to surface on this album. The song is the original version and was not re-recorded for the album. A small intro to the song begins at the end of Slump, with Big Boi referring to the song's history. [edit] Lyrics Delivered by rhythmic vocal abilities and distinctive Southern rapping, the main focus of the album seemed to be on morality. With complex metaphors and dirty South slang, Andre addresses his critics in the album opener, "Return of the G". It's the return of the gangsta/Thanks ta' them niggas that think you soft/And say, "Y'all be gospel rappin'" /But they be steady clappin'/When you talk about bitches and switches/And hoes and clothes and weed.... Aquemini's catchy lyrics are a mix of street-wise and common sense. RapReviews.com noted that "Aquemini is full of small moments that make you nod your head and look forward to hearing them again."[18] "SpottieOttieDopaliscious" featured a soulful hook by Sleepy Brown and introspective lyricism by Big Boi and Andre. In addition to the very detailed metaphors, Big Boi recited his lyrics in spoken word style for the song. When I first met my SpottieOttieDopalicious Angel
I can remember that damn thing like yesterday
The way she moved reminded me of a Brown Stallion
horse with skates on smooth like a hot comb on nappy ass hair
I walked up on her & was almost paralyzed
her neck was smelling sweeter than a plate of yams with extra syrup
eyes beaming like four karats apiece just blindin' a nigga
felt like I chiefed a whole O of that Presidential
My heart was beating so damn fast
never knowing this moment would bring another
life into this world
—Big Boi, "SpottieOttieDopalicious" [edit] Reception The L.A. Times called Aquemini a "brilliant slice of hip-hop". It also received a "classic" ranking of 5 mics from The Source magazine, which later wrote of the album that it "possesses an uncanny blend of sonic beauty, poignant lyricism and spirituality that compels without commanding".[4] In a November 1998 article, What Magazine praised Aquemini, as they wrote, OutKast's third album is the perfect concoction of spirituality, street reality and chunky Southern beats. On Aquemini, Atlanta's first soldiers have pointed their Cadillacs toward the Cosmos. Lyrically, Big Boi's street patter flawlessly complements Dre's increasingly abstract cerebral flow. While Big Boi keeps your feet firmly planted in reality, Dre drags your head through the many dimensions of the spiritual universe. The results are dangerous. [19]—What Magazine Some critics appreciated the absence of a materialist focus. Rolling Stone declared that the album proved "that you don't have to sell out to sell records"[20], while PopMatters agreed, claiming "(i)n a year where excess was romanticized by nearly everyone, OutKast was one of the few commercial groups concerned with more than just 'the Benjamins'".[5] The music website Nude as the News called "Rosa Parks" "one of the best rap songs ever crafted." [21] The album was later ranked #21 on Chris Rock's list of the Top 25 Hip-Hop Albums of all time. [22] [edit] Track listing | # | Title | Time | Producer(s)[23] | Performers | Samples[24] | | 1 | "Hold on, Be Strong" | 1:11 | Donny Mathis, OutKast | | | | 2 | "Return of the 'G'" | 4:49 | Organized Noize | - First four verses: André
- Last two verses: Big Boi
| | | 3 | "Rosa Parks" | 5:24 | OutKast | - First verse: Big Boi
- Second verse: André
- Outro: Big Boi
| | | 4 | "Skew it on the Bar-B" | 3:15 | Organized Noize | - First verse: André
- Second verse: Raekwon
- Third verse: Big Boi
| | | 5 | "Aquemini" | 5:19 | OutKast | - First verse: Big Boi
- Second verse: André
- Third verse: Big Boi
- Fourth verse: André
| | | 6 | "Synthesizer" | 5:11 | OutKast | - First verse: André, George Clinton
- Second verse: Big Boi
- Third verse: George Clinton
- Fourth verse: André
- Fifth verse: George Clinton
| | | 7 | "Slump" | 5:09 | OutKast | - First verse: Backbone
- Second verse: Big Boi
- Third verse: Cool Breeze
| | | 8 | "West Savannah" | 4:03 | Organized Noize | Big Boi | | | 9 | "Da Art of Storytellin' (Part 1)" | 3:43 | Mr. DJ | - First verse: Big Boi
- Second verse: André
| | | 10 | "Da Art of Storytellin' (Part 2)" | 2:48 | Mr. DJ | - First verse: André
- Second verse: Big Boi
| | | 11 | "Mamacita" | 5:52 | Organized Noize | - First verse: Masada
- Second Verse: André
- Third verse: Witchdoctor
- Fourth verse: Big Boi
| | | 12 | "SpottieOttieDopaliscious" | 7:07 | OutKast | - First verse: Pat Brown
- Second verse: André
- Third verse: Big Boi
| | | 13 | "Y'All Scared" | 4:50 | Mr. DJ | - First verse: T-Mo
- Second verse: Gipp
- Third verse: André
- Fourth verse: Big Boi
- Fifth verse: Khujo
| | | 14 | "Nathaniel" | 1:10 | | Supa Nate | | | 15 | "Liberation" | 8:46 | OutKast | | | | 16 | "Chonkyfire" | 6:10 | OutKast | - First verse: André
- Second verse: Big Boi
| | The clean version of the album has all of the skits in between the songs removed. The interlude "Nathaniel" was omitted as well. [edit] Personnel | Contributors | | Producers | | Producers | OutKast, Organized Noize, Mr. DJ Sheats, Donny Mathis | | Executive Producers | OutKast, Babyface, Organized Noize | | Performers | | Lead vocals and rapping | Big Boi, André Benjamin, Raekwon, Erykah Badu, Goodie Mob, Slick Rick, Whild Peach, Witchdoctor, Khujo, Joi Gilliam, Jamahr "Backbone" Williams, Big Rube | | Background vocals | George Clinton, Debra Killings, Jim Smith, Jermaine Smith and Pat "Sleepy" Brown | | Guitar | Craig Love, Tomi Martin, Martin Terry (electric guitar) | | Bass guitar | Skinny Miracles, George Grier, LaMarquis Mark Jefferson | | Synthesizer | Kenneth Wright, Marvin "Chanz" Parkman (also piano, moog bass) | | Scratching | Mr. DJ | | Strings and Woodwinds | South Central Chamber Orchestra | | Horns | Darian Emory | | Percussion | Omar Phillips, Victor Alexander (drums) | | Other performers | 4.0 b.k.a. The Four Phonics | | Technicians | | Programming | Organized Noize | | Concert Master and Orchestral Arrangements | Charles Veal | | Engineers | John Frye, Bernasky Wall, Ryan Williams, Jean B. Smit | | Assistant Engineers | Alberto Perez, Rico Lumpkins, Ralph Cacciurri, Jason Rome, Jason Stokes, Kenny Stallworth, Katy Teasdale | | Mastering | Brian Gardner | | Mixing | Josh Butler, Mr. DJ Sheats | | Mixing Assistant | Claudine Pontier, Shawn Grove | | Art Direction, Design | D.L. Warfield | | Design Assistant, Assistant Art Director | Nigel Sawyer | | Photography | Tom Smugala | | Coordination | Courtney Taylor | | Arranger | Mr. DJ Sheats | [edit] Chart history | Year | Album | Chart positions | | Billboard 200 | Top R&B/Hip Hop Albums | Top Canadian Albums | | 1998 | Aquemini | #2 | #2 | #17 | [edit] Singles [edit] References - ^ Huey, Steve. Review: Aquemini. Allmusic. Retrieved on 2009-10-10.
- ^ Christgau, Robert. "Consumer Guide: Aquemini". The Village Voice: October 1998.
- ^ Tyehimba, Cheo. Review: Aquemini. Entertainment Weekly. Retrieved on 2009-10-10.
- ^ a b Baker, Soren. Review: Aquemini. Los Angeles Times. Retrieved on 2009-10-10.
- ^ a b Stelloh, Tim. Review: Aquemini. PopMatters. Retrieved on 2009-10-10.
- ^ Fernando Jr., S.H. Review: Aquemini. Rolling Stone. Retrieved on 2009-10-10.
- ^ Columnist. "Review: Aquemini". The Source: 189. November 1998.
- ^ Hughes, Dave. Review: Aquemini. Slant Magazine. Retrieved on 2009-10-10.
- ^ Jones, Steve. "Review: Aquemini". USA Today: 04.D. September 29, 1998. Archived from the original on 2009-10-10. (Transcription of original review at talk page)
- ^ Michel, Sia. Review: Aquemini. The Village Voice. Retrieved on 2009-10-10.
- ^ Discogs - Aquemini
- ^ Epinions - Aquemini
- ^ RIAA searchable database
- ^ allmusic {{{ Aquemini > Charts & Awards }}}
- ^ OutKast discography
- ^ CDuniverse.com product notes - Aquemini
- ^ CNN.com - Supreme Court allows Rosa Parks to sue OutKast - Dec. 8, 2003
- ^ Aquemini rapreviews quote RapReviews.com.
- ^ Aquemini: Outkast. | What Magazine | Find Articles at BNET
- ^ Rolling Stone - Music Reviews - Aquemini
- ^ NudeastheNews review
- ^ List at rateyourmusic
- ^ [1]
- ^ TheBreaks.com album samples. TheBreaks.com. Retrieved on 2008-08-06
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