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This article is about the film. For other uses, see Almost Famous (disambiguation).
Almost Famous is a 2000 comedy-drama film written and directed by Cameron Crowe and telling the fictional story of a teenage journalist writing for Rolling Stone magazine while covering a rock band Stillwater, and his efforts to get his first cover story published. The film is semi-autobiographical, as Crowe himself was a teenage writer for Rolling Stone. The film is based on Crowe's experiences touring with rock bands The Allman Brothers Band, Led Zeppelin, The Eagles, and Lynyrd Skynyrd. In a Rolling Stone article, he talks about how he lost his virginity, fell in love, and met his heroes, experiences that are shared by William, the main character in the film. Despite failing to break even, the film received positive reviews. It received four Oscar nominations, one of which led to an award to Crowe for his screenplay. It was also awarded the 2001 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media. Roger Ebert hailed it the best film of the year. It also won two Golden Globes, for Best Picture and Kate Hudson won Best Supporting Actress.
[edit] PlotIn 1973, William Miller (Patrick Fugit), is a 15-year-old boy aspiring to be a rock journalist. Unfortunately for William, his mother, Elaine (Frances McDormand), is determined that William will be the country's youngest lawyer, and has skipped the 'predominantly advanced' boy a couple of grades in school and while at home, she thinks, she provides him the tools he needs to be a success. These 'tools' are of more value to him, she believes, than merely fitting in with a crowd. William rises up to the responsibility of using his intelligence, though not as his mother hopes. Shunned by his classmates (most of whom are two or three years older than he is), he writes for underground papers in his hometown of San Diego, sharing the love of rock and roll instilled in him through a farewell gift of music from his sister, Anita (Zooey Deschanel): albums left behind on the day that she escapes the home life which William must still endure. He goes one morning to watch as a local radio station interviews pioneering rock journalist Lester Bangs (Philip Seymour Hoffman). William has been sending Bangs copies of his work, and Bangs recognizes the talent of the boy. The two hit it off, and Bangs gives William a $35 assignment to write up a Black Sabbath concert. Lester advises William to be honest and unmerciful, but fails to mention how to get into the show or to meet the band. William, without credentials or a ticket, cannot get into the arena. He meets up with some semi-groupies who call themselves "Band-Aides": Estrella Starr (Bijou Phillips), Polexia Aphrodisia (Anna Paquin), Sapphire (Fairuza Balk), and their leader, Penny Lane (Kate Hudson). The Band-Aides gain entrance to the show, but William is still barred from entry as the opening band, Stillwater, arrives, running late. At first they dismiss him as a journalist, "the enemy", but when he calls them by their names and praises their most recent work in detail, they realize that he is a genuine fan and maneuver him backstage. There, in spite of his instincts, the band's "guitarist with mystique", Russell Hammond (Billy Crudup) takes a liking to William, no doubt in part because of William's apparent friendship with Penny, and invites William to meet up with him and the band again. A week or so later, William goes with Penny (deceiving his mother) to the "Riot House" – the Hyatt Hotel on Sunset Boulevard. He first meets Vic Munoz (Jay Baruchel), an extreme Led Zeppelin fan who follows them all over the country, and they are soon in a room with Stillwater. Penny, feigning retirement from her rock glory days, has brought William along and is acting as his chauffeur, but only as far as it gets her close to Russell, who she has genuine feelings for, though she claims he is merely a 'project' and a man who she helps better himself. It isn't long before Penny and Russell head off to a vending machine room, to be alone. While typing up his notes, William is called by Ben Fong-Torres (Terry Chen), editor of Rolling Stone. They have read his home town material and want him to do a story. Ben is under the impression that William is several years older than he really is. William does nothing to disillusion Ben and manages to convince Ben to let him do a story on Stillwater. William is to meet up with the band and take to the road with them, getting a tale of up-and-comers who are starting to find out what the rock big time is all about. Elaine consents, under strict conditions (which, to her chagrin, will be repeatedly violated, William even misses his graduation). Aboard "Doris", the band's beloved, decrepit tour bus, ride Stillwater, a couple of members of their crew, the Band-Aides, and "the enemy", there to record and relate all he sees and hears. While aboard the bus, on the first leg of the trip, William makes his first in an increasingly frustrating number of attempts to interview Russell. Penny watches the interaction between the two and is sympathetic with William. The band's lead singer, Jeff (Jason Lee), seeing that William's efforts are centered on Russell and knowing that in many ways Russell's abilities have surpassed the band mates, also keeps an eye on William, and often warns Russell off of the boy, reminding him who William really represents to them. Jeff is correct in what William could do to them, but his cautions also reflect an underlying resentment and frustration that comes to the surface in short time as road events test the band. The young journalist witnesses Russell receiving a severe electric shock on stage in Phoenix, which infuriates their long-time but inexperienced manager Dick Roswell (Noah Taylor), causing them to leave the show without finishing their set, and destroying a gate with Doris to escape the furious promoter. Later, in Topeka, Kansas, a new T-shirt showing the band (with all members but Russell out of focus) sparks a bitter argument between Jeff and Russell, Jeff angry that what was once "The Jeff Bebe Band" is now dominated by Russell. In reaction, Russell and William leave, soon going off to a teenage house party so Russell can be with people who are "real". Tripping on acid, Russell climbs onto the roof of the house where he screams "I am a golden god!" and possible last words "I dig music... I'm on drugs!", and jumps into the pool. Everyone else at the party follows into the water. William calls Dick to come by the house, and Russell is persuaded to get on the bus. It is made clear that the band is a family, and has the potential to ride out issues as they keep on playing across the country. A new manager, Dennis, comes on board to help steer the band, and it's also made clear that Penny must leave the tour before New York, where Leslie, Russell's ex-wife/girlfriend, will be joining up. During a poker game, he allows Dick to put up the groupies as a stake. The band loses the groupies to the band Humble Pie for $50 and a case of Heineken beer. When William tells Penny about this, she acts nonchalant but is devastated. Penny and Doris are left behind; Dennis has piled the band into a plane to get them to more gigs, money and fame now close as they are to the band's grasp. Penny goes to New York on her own, and as the band gathers in a restaurant together with Russell's girlfriend, Penny shows up in the background. As they begin to celebrate the news of making the cover of Rolling Stone, it is clear that Penny is making Leslie uncomfortable because she speaks up and Dick asks her to leave. William goes to Penny's room and finds her overdosed on quaaludes (methaqualone). While trying to wake her up, he tells her he loves her and goes where "many, many men have gone before" and kisses her. William calls a doctor, who comes and pumps her stomach. The following morning, Penny shares with William some of what the others have been trying to learn about her for some time, thanking him for his part in saving her, and for being, arguably, her only real friend on the tour. Heading to another concert the same day, the band's plane is caught in poor weather and looks like it will have to make a crash landing. Believing they will all die, the band members and entourage start confessing their secrets. When Jeff and Russell start arguing, and Penny is referred to as "that fucking groupie", William defends Penny and speaks his anger that the band used her, declaring his own love for her, and telling them of the events of the night before. The plane lands safely, leaving all to ponder the changed atmosphere. William must continue on to San Francisco to finish the story. As he is leaving to fly to San Francisco, Russell tells him to go ahead and write whatever he wants. William, still upset about Penny, does write what he wants: the truth in its entirety. The Rolling Stone editors love the story and can't wait to publish it, but first they have to ask the band to verify it. The band, fearful of the effect the article will have on their image, denies everything. William is crushed and the story is dead. While sitting dejected in the airport, he sees his sister, who has become a stewardess and is living on her own terms. They go back home together, and William stages a reconciliation. While backstage at the Miami Orange Bowl back on the Stillwater tour, Sapphire (Fairuza Balk) talks to Russell about Penny's near-suicide and how despite the many warnings she received about having too many people fall in love with her, one of them ended up saving her life. Russell is initially curious about the person Sapphire talks about (William), but Sapphire immediately chastises him, saying that everyone, including Penny, knows what Russell and the band did to William and how awful they think it is. Russell then calls Penny and asks for her address, telling her that he wants to meet. Instead she gives him William's address in an attempt to solve the conflict between them. Russell goes to the house thinking it's Penny's but finds Elaine instead. Upon learning who he is, she sends him in to see William. The two of them reconcile and Russell reveals that he called Rolling Stone and told them that William's story is true. In the end, Russell finally gives William the long overdue interview. The final scenes are a picture of the cover of the Rolling Stone issue that will feature William's story with Russell's picture on the front with the rest of the band behind him. We then see images of Penny leaving on her dream trip to Morocco, William at home with his sister and mother, and of Doris, which will take the band (without William) on its 1974 tour (with the marquee "NO MORE AIRPLANES TOUR 1974"). [edit] Cast
[edit] Alternative versionsAlong with the standard DVD version, Crowe compiled an alternative version called Untitled, which was a compilation of both released footage and his favorite deleted scenes. Running for about 40 minutes longer than the theatrical release, Untitled was subtitled "The Bootleg Cut", with its packaging resembling a cheap seventies bootleg. (A variant of Untitled is the basis of the network television version of Almost Famous.) The film has been released in Region 2 territories on Blu-ray Disc in its "Untitled" form, however these discs are region-free and will play in all Blu-Ray machines. The DVD also contains a deleted scene that shows William playing Led Zeppelin's Stairway to Heaven (in its entirety) to his mother. The song itself is not included on the soundtrack but the video has a watermark instructing viewers when to start the song. [edit] Changes to the film
[edit] SoundtrackMain article: Almost Famous (soundtrack) The film's soundtrack features over 50 songs, making up an eclectic mix of period rock, other period genres, and some songs written by Crowe's wife, Nancy Wilson, expressly for the film. Highlights include rarely-licensed Led Zeppelin tracks, Simon & Garfunkel's "America", Elton John's "Tiny Dancer", and "Mona Lisas and Mad Hatters", Steely Dan's "Reelin' in the Years", Joni Mitchell's "River" and Thunderclap Newman's "Something in the Air". There is one slight anachronism: during a party scene the song "Burn" by Deep Purple plays in the background. The album was not released until February 1974, a half year after the events are supposed to have taken place. Another anachronism involves the albums left to William by his sister. When William first looks through the records, it is 1969, but some of the records weren't released that year, including Joni Mitchell's Blue & The Rolling Stones' Get Yer Ya-Ya's Out!, although that may have been an aesthetic choice on the part of Crowe, as the scene is representing the transition of time between 1969 and 1973. [edit] ReactionAlmost Famous had its premiere at the 2000 Toronto Film Festival.[2] It was subsequently given a limited release on September 15, 2000 in 131 theaters where it grossed $2.3 million on its first weekend. It was given a wider release on September 22, 2000 in 1,193 theaters where it grossed $6.9 million on its opening weekend. The film went on to make $32.5 million in North America and $14.8 million in the rest of the world for a worldwide total of $47.3, well below its $60 million budget.[3] [edit] Critical receptionAlmost Famous was very well-received by critics who gave it predominantly positive reviews. The film has an 88% rating on Rotten Tomatoes and a 90 metascore on Metacritic.[4][5] Film critic Roger Ebert gave the film four out of four stars and praised it for being "funny and touching in so many different ways".[6] In his review for The New York Times, A.O. Scott wrote, "The movie's real pleasures are to be found not in its story but in its profusion of funny, offbeat scenes. It's the kind of picture that invites you to go back and savor your favorite moments like choice album cuts".[7] Time magazine's Richard Corliss praised the film's screenplay for "giving each character his reasons, making everyone in the emotional debate charming and compelling, creating fictional people who breathe in a story with an organic life".[8] In her review for the L.A. Weekly, Manohla Dargis wrote that "the film shimmers with the irresistible pleasures that define Hollywood at its best - it's polished like glass, funny, knowing and bright, and filled with characters whose lives are invariably sexier and more purposeful than our own".[9] Rolling Stone magazine's Peter Travers wrote, "Not since A Hard Day's Night has a movie caught the thrumming exuberance of going where the music takes you".[10] In his review for Newsweek, David Ansen wrote, "Character-driven, it relies on chemistry, camaraderie, a sharp eye for detail and good casting".[11] Entertainment Weekly gave the film an "A-" rating and Owen Gleiberman praised Crowe for depicting the 1970s as "an era that found its purpose in having no purpose. Crowe, staying close to his memories, has gotten it, for perhaps the first time, onto the screen".[12] In his review for the Los Angeles Times, Kenneth Turan praised Philip Seymour Hoffman's portrayal of Lester Bangs: "Superbly played by Philip Seymour Hoffman, more and more the most gifted and inspired character actor working in film, what could have been the cliched portrait of an older mentor who speaks the straight truth blossoms into a marvelous personality".[13] However, in his review for The New York Observer, Andrew Sarris felt that "none of the non-musical components on the screen matched the excitement of the music. For whatever reason, too much of the dark side has been left out".[14] Desson Howe, in his review for the Washington Post, found it "very hard to see these long-haired kids as products of the 1970s instead of dressed up actors from the Seattle-Starbucks era. I couldn't help wondering how many of these performers had to buy a CD copy of the song and study it for the first time".[15] [edit] Awards and nominationsAcademy Awards: Win:
Nominated:
Directors Guild of America (DGA):
Golden Globe Awards: Win:
Nominated:
Producers Guild of America (PGA):
Screen Actors Guild (SAG):
Writers Guild of America (WGA):
[edit] Cultural references
[edit] References
[edit] External links
Categories: American films | English-language films | 2000 films | American coming-of-age films | American comedy-drama films | American musical drama films | 2000s drama films | Films set in the 1970s | Best Musical or Comedy Picture Golden Globe winners | Films featuring a Best Supporting Actress Golden Globe winning performance | Films about music and musicians | Films whose writer won the Best Original Screenplay Academy Award | Road movies | Rock films | Films directed by Cameron Crowe | DreamWorks films | Columbia Pictures films | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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