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For other uses, see All in the Family (disambiguation).
All in the Family is an American situation comedy that was originally broadcast on the CBS television network from January 12, 1971 to April 8, 1979. In September 1979, the show was revamped, and given a new title, Archie Bunker's Place. This version of the sitcom lasted another four years, ending its run in 1983. Produced by Norman Lear, it was based on the British television comedy series Till Death Us Do Part[2]. The show broke ground in its depiction of issues previously considered unsuitable for U.S. network television comedy, such as racism, homosexuality, women's liberation, rape, miscarriage, breast cancer, menopause and impotence. The show ranked #1 in the yearly Nielsen ratings from 1971 to 1976. As of 2009, it has along with The Cosby Show and American Idol been the only shows to top the ratings for at least five consecutive seasons. TV Guide's 50 Greatest TV Shows of All Time ranked All in the Family as #4. Bravo also named the show's protagonist, Archie Bunker, TV's greatest character of all time[3].
[edit] PremiseThis long-running comedy revolved around Archie Bunker (Carroll O'Connor), a working-class, World War II veteran, very outspoken bigot, prejudiced against everyone and everything not in agreement with his view of the world. His ignorance and stubbornness tend to cause his malapropism-filled arguments to self-destruct. He often responds to uncomfortable truths by blowing a raspberry. He longs for simpler times, when people sharing his viewpoint were in charge, as evidenced by the nostalgic theme song, "Those Were the Days," the show's original title. (In the first pilot, the family name was Justice rather than Bunker.) By contrast, his wife Edith (Jean Stapleton) is a sweet, understanding, if somewhat naive woman. She usually defers to her husband, but on the rare occasions when she takes a stand, she proves to be one of the wisest characters, for example in the episodes "The Battle of the Month" and "The Games Bunkers Play". Archie often tells her to "stifle" herself and calls her a "dingbat",[4] but despite their very different personalities, they love each other deeply. They have one child, Gloria (Sally Struthers), who is married to college student Michael Stivic (Rob Reiner). Michael is part of the counterculture of the 1960s. He and Archie represent the real-life clash between the two generations: those who were born around World War I and those who were born around World War II. They constantly clash over religious, political, social, and personal issues. For much of the series, the Stivics live in the Bunker home to save money, providing even more opportunity for the two men to irritate each other. When they finally move out, it is to the house next door, offered to them by George Jefferson, the owner, who knows it would get to Archie. Archie frequently calls his son-in-law "meathead" and "Polack" (pronounced Polock) to insult Michael's intelligence and his Polish ancestry. The show is set in the Astoria section of Queens, one of New York City's five boroughs. [edit] Cast[edit] Main characters
[edit] Supporting characters
[edit] Recurring characters
[edit] Actors in multiple rolesA number of actors played multiple roles during the show's run:
[edit] "Kelcy" or "Kelsey"The name of the establishment is Kelcy's Bar (as seen in the bar window in various episodes). However, due to a continuity error, the end credits[6] of episodes involving the bar owner spell the name "Kelcy" for the first two seasons and "Kelsey" thereafter, although the end credits show "Kelcy" in the "Archie Gets the Business" episode. [edit] Controversial nature
In a warning to viewers, CBS ran a disclaimer before airing the first episode (which disappeared from the screen with the sound of a toilet flushing): '"The program you are about to see is All in the Family. It seeks to throw a humorous spotlight on our frailties, prejudices, and concerns. By making them a source of laughter we hope to show, in a mature fashion, just how absurd they are."' All in the Family was notorious for featuring language and epithets previously absent from television, such as "fag" for homosexual, "hebe" for Jews, "spic" for Hispanics, "mick" for Irish, "dago" and "wop" for Italians,"polock" for Polish, "chink" for Chinese, "Jap" for Japanese, "gook" for southeast Asian, "spade" for blacks, and phrases such as "God damn it." It was also famous for being the first major television show to feature the sound of a flushing toilet; it became a running gag on the show. While moral watchdogs attacked the show on those grounds, others objected to the show's portrayal of Archie Bunker as a "lovable" bigot. Defenders of the series pointed out that Archie usually lost his arguments by reason of his own stupidity. (It is perhaps worth noting that Alf Garnett, Archie Bunker's counterpart in the original British series, was far from lovable and used much stronger language that would not have been allowed on US network television.) In addition to its candid political dialogues, All in the Family's story lines also included a sense of realism, and occasional forays into deathly serious subject matter, not previously associated with sitcoms. A 1973 episode, for example, found the Bunkers discovering a swastika painted on their front door. (It had been intended for their Jewish neighbors down the street.) An activist from the fictional "Hebrew Defense Association" showed up, proposing violent retaliation against whoever painted it, but upon leaving, he was blown up in his car, as the Bunkers watched in horror from their front door. To interweave illness, crime, or in this case, the off-screen violent death of a character into the plot of a comedy show was an unprecedented move. While Archie's bigotry and short-sightedness were the focus of much of the humor, Mike Stivic's naive, liberal nature was on the receiving end of occasional jabs. In the episode Edith Writes a Song, where the family is held by African-American burglars, Mike attempts to intervene on Archie's behalf, explaining to the burglars how Archie does not know about the pain of ghetto poverty. One of the burglars, played by Demond Wilson and Cleavon Little, responds: "And 'you' do?" [edit] ProductionLear bought the rights to Till Death Us Do Part and incorporated his own family experiences with his father into the show. Lear's father would tell Lear's mother to "stifle herself" and she would tell Lear's father "you are the laziest white man I ever saw" (two 'Archieisms' that found their way onto the show). There were three different pilots shot for the series. The first, shot in New York in 1968, was named Justice For All in reference to Archie's family name (later changed to Bunker). The second, shot in Hollywood in 1969, was titled Those Were the Days. Different actors played the roles of Mike, Gloria, and Lionel in the first two. ABC became uneasy and canceled the project at about the time Richard Dreyfuss sought the role of Michael. Rival network CBS was eager to update its image, and was looking to replace much of its then popular "rural" programming (Mayberry R.F.D., The Beverly Hillbillies, Petticoat Junction and Green Acres) with more "urban", contemporary fare (see Rural purge), and was interested in Lear's project. They bought the rights from ABC and re-titled the show All in the Family. Lear initially wanted to shoot in black and white, perhaps feeling that it would emphasize the Bunkers' stark surroundings to greater effect. While CBS insisted on color, Lear had the set furnished in rather neutral tones, keeping everything relatively devoid of color. All in the Family was the first major American series to be videotaped in front of a live studio audience. At the time, sitcoms were shot with multiple cameras on film in front of an audience (like Mary Tyler Moore and The Dick Van Dyke Show), and the 1960s had seen a growing number of sitcoms filmed on soundstages without audiences, with a laugh track simulating audience response. After the success of All in the Family, videotaping sitcoms in front of an audience became common format for the genre during the 70s. However, the use of videotape also gave All in the Family the look and feel of the classic sitcoms of early television, which had been performed live before a studio audience (including the original live broadcasts of The Honeymooners, to which All in the Family is sometimes compared). In the final season, the practice changed to playing the already taped and edited show to an audience and recording their laughter to add to the original sound track. Thus, the voice-over during the end credits was changed from Rob Reiner's "All in the Family was recorded on tape before a live audience" to Carroll O'Connor's "All in the Family was played to a studio audience for live responses." (Typically, the audience would be gathered for a taping of One Day At A Time, and get to see All In the Family as a bonus.) Throughout its run, Norman Lear took pride in the fact that canned laughter was never used (mentioning this on many occasions); the laughter heard in the episodes was genuine. The house shown in the opening credits is located at 89–70 Cooper Avenue in the Rego Park[7] neighborhood of Queens, New York. There are a number of notable differences, however, between the Cooper Avenue house and the All in the Family set: Particularly obvious, one may notice there is no porch on the Cooper Avenue house, while the Bunkers' home featured a front porch; the Cooper Avenue house was a two-family duplex, while the Bunkers' house was presumably a single-family home (as evidenced by a number of times Archie referenced the Jeffersons as living "across the alley", indicating that the Bunkers' and Jeffersons' homes did not share a common wall). The Bunkers' address was the fictitious 704 Hauser Street. [edit] AwardsAll in the Family is the first of three sitcoms in which all the lead actors (O'Connor, Stapleton, Struthers, and Reiner) won Emmy Awards. The other two are The Golden Girls and Will & Grace. It won numerous Emmys:
It was nominated an additional 34 times. Its Golden Globe Awards are:
There were also 21 nominations. [edit] EpisodesMain article: List of All in the Family episodes A particularly marking episode, that produced the longest sustained audience laughter in the history of the show, is the famous episode-ending scene in which the guest star Sammy Davis, Jr. played himself. Archie is moonlighting as a cabdriver. Davis leaves a briefcase behind in his taxi and goes to the Bunker home to pick it up. After hearing Archie's racist remarks, Davis asks for a photograph with him. At the moment the picture is taken, Davis suddenly kisses a stunned Archie on the cheek. The ensuing laughter went on for so long that it had to be severely edited for network broadcast, as Carroll O'Connor still had one line ("Well, what the hell — he said it was in his contract!") to deliver after the kiss. (The line is usually cut in syndication.) [edit] RatingsAll In the Family is one of three television shows, The Cosby Show and American Idol being the others, that have been number 1 in the Nielsen Ratings for five consecutive TV seasons. The ratings at the end of each season were:
The series finale was seen by 40.2 million viewers.[citation needed] [edit] Spin-offs and TV specialAll in the Family was the launching pad of several television series, beginning with Maude on September 12, 1972. Maude Findlay, played by Beatrice Arthur, was Edith's cousin; she had first appeared on All in the Family in the episode "Cousin Maude's Visit," which aired in December 1971 in order to help take care of the Bunkers when they all were sick with a nasty flu virus. Maude disliked Archie intensely, mainly because she thought Edith could have married better, but also because Archie was a conservative while Maude was very liberal in her politics. Maude was featured in another All in the Family episode in which Archie and Edith visited Maude's home in Westchester County to attend the wedding of Maude's daughter Carol — it aired as the finale of the second season in the spring of 1972, fittingly titled "Maude." The episode was essentially designed to set up the premise for the spin-off series that would air later in the year. In the episode, Bill Macy played Maude's husband, Walter; it was a role he would reprise for the weekly series that fall. Marcia Rodd, the actress who played Carol in the episode, would be replaced by Adrienne Barbeau in Maude. The show lasted for six seasons and 141 episodes, airing its final episode on April 22, 1978. The second and longest-lasting spin-off of All in the Family was The Jeffersons. Debuting on CBS on January 18, 1975 The Jeffersons lasted 11 seasons and 253 episodes compared to All in the Family's 9 seasons and 208 episodes. The main characters of The Jeffersons were the Bunkers' former next-door neighbors George Jefferson (Sherman Hemsley) and his wife, Louise "Weezie" Jefferson (Isabel Sanford). George Jefferson was the owner of a chain of seven successful dry-cleaning stores; as The Jeffersons begins, they have just moved from the Bunkers' neighborhood to a luxury high-rise apartment building in Manhattan's Upper East Side. George was considered to be the "Black Archie Bunker," and just as racist as Archie. Other spin-offs of All in the Family include:
There were also two spin-offs from spin-offs of All in the Family:
A 90-minute retrospective, All in the Family 20th Anniversary Special, was produced to commemorate the show's 20th anniversary which aired on CBS February 16, 1991. It was hosted by the creator, Norman Lear, and featured a compilation of clips from the show's best moments including interviews with cast members Carroll O'Connor, Jean Stapleton, Rob Reiner and Sally Struthers. Reiner and Lear promoted the special the previous week on The Arsenio Hall Show. [edit] Theme songThe series' opening theme song "Those Were the Days"[16], written by Lee Adams (lyrics) and Charles Strouse (music), was presented in a unique way for a 1970s series: Carroll O'Connor and Jean Stapleton seated at a console or spinet piano (played by Stapleton) and singing the tune on-camera at the start of every episode, concluding with live-audience applause. Several different performances were recorded over the run of the series, including one version that includes additional lyrics. The song is a simple, pentatonic melody (that can be played exclusively with black keys on a piano) in which Archie and Edith wax nostalgic for the simpler days of yesteryear. The additional lyrics in the longer version lend to the song a greater sense of sadness, and make poignant reference to social changes taking place in the sixties. A few perceptible drifts can be observed when listening to each version chronologically: In the original version Jean Stapleton was wearing glasses and after the first time the lyric "Those Were The Days" was sung over the tonic (root chord of the song's key) the piano strikes a Dominant 7th chord in transition to the next part which is absent from subsequent versions. Jean Stapleton's screeching high note on the line "And you knew who you WEEERRE then" became louder, longer, and more comical, Carroll O'Connor's pronunciation of "welfare state" gained more of Archie's trademark enunciation and the closing lyrics (especially "Gee, our old LaSalle ran great.") were sung with increasingly deliberate articulation, as viewers had initially complained that they could not understand the words. Also in the original version the camera angle was shot slightly from the right side of the talent as opposed to the straight on angle of the next version. In one version, at the conclusion Archie hugs Edith at the end, while another version sees Edith smiling blissfully at Archie, while Archie puts a cigar in his mouth and returns a rather cynical look to Edith. In interviews, Norman Lear stated that the idea for the piano song introduction was a cost-cutting measure. After completion of the pilot episode, the budget would not allow an elaborate scene to serve as the sequence played during the show's opening credits. Lear decided to have a simple scene of Archie and Edith singing at the piano. The closing theme (an instrumental) was "Remembering You" played by Roger Kellaway with lyrics co-written by Carroll O'Connor. It was played over footage of houses in Queens intended to represent the Bunkers' neighborhood. Except for some brief instances in the first season, there was no background or transitional music. [edit] Cultural impact
[edit] DVD releasesSony Pictures Home Entertainment (formerly Columbia Tri-Star Home Entertainment) has released the first six seasons of All in the Family on DVD in Region 1.
[edit] See also
[edit] References
[edit] Further reading
[edit] External links
Categories: 1971 television series debuts | 1970s American television series | 1979 television series endings | American television series based on British television series | American television sitcoms | Baby boomers in fiction | CBS network shows | Nielsen Ratings winners | Social realism | Television series by Sony Pictures Television | Television shows set in New York City | Best Musical or Comedy Series Golden Globe winners | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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